{"id":95,"date":"2015-11-02T09:50:38","date_gmt":"2015-11-02T09:50:38","guid":{"rendered":"http:\/\/127.0.0.1:4001\/wordpress\/?page_id=95"},"modified":"2023-03-01T20:42:09","modified_gmt":"2023-03-01T20:42:09","slug":"publications","status":"publish","type":"page","link":"https:\/\/www.micheleatchade.com\/en\/publications\/","title":{"rendered":"Publications"},"content":{"rendered":"<div data-elementor-type=\"wp-page\" data-elementor-id=\"95\" class=\"elementor elementor-95\" data-elementor-post-type=\"page\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-478d4e6 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"478d4e6\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-d9be012\" data-id=\"d9be012\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-dde1cef elementor-widget elementor-widget-heading\" data-id=\"dde1cef\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\">Publications<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-bb62649 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"bb62649\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-7bf7fc5 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"7bf7fc5\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-wider\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-505d14b\" data-id=\"505d14b\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-37f1cd1 elementor-position-top elementor-widget elementor-widget-image-box\" data-id=\"37f1cd1\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image-box.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-image-box-wrapper\"><figure class=\"elementor-image-box-img\"><a href=\"http:\/\/www.puv-univ-paris8.org\/revues\/marges-revue-d-art-contemporain\/rematerialiser-l-art-contemporain-9782842924089-34-589.html\" target=\"_blank\" tabindex=\"-1\"><img decoding=\"async\" src=\"https:\/\/www.micheleatchade.com\/wp-content\/uploads\/elementor\/thumbs\/1A-Remate\u0301rialiser-lart-contemporain-2014-mjrp0v36041a95frd777fn14j8nl8c5x32gdjqufi8.jpg\" title=\"1A Remate\u0301rialiser l&rsquo;art contemporain 2014\" alt=\"1A Remate\u0301rialiser l&#039;art contemporain 2014\" loading=\"lazy\" \/><\/a><\/figure><div class=\"elementor-image-box-content\"><h2 class=\"elementor-image-box-title\"><a href=\"http:\/\/www.puv-univ-paris8.org\/revues\/marges-revue-d-art-contemporain\/rematerialiser-l-art-contemporain-9782842924089-34-589.html\" target=\"_blank\">Remat\u00e9rialiser l\u2019art contemporain&nbsp;\u00bb : entretien<\/a><\/h2><p class=\"elementor-image-box-description\">Marianne Lanav\u00e8re : \"Mati\u00e8res \u00e0 paysage \u2013 Champs d\u2019imaginaires\", \u00abMarges\u00bb n\u00b018, Presses Universitaires de Vincennes, printemps\/\u00e9t\u00e9 2014<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-01b255f\" data-id=\"01b255f\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-aa78527 elementor-position-top elementor-widget elementor-widget-image-box\" data-id=\"aa78527\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image-box.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-image-box-wrapper\"><figure class=\"elementor-image-box-img\"><a href=\"http:\/\/www.peter-hammer-verlag.de\/buchdetails\/black-paris\" target=\"_blank\" tabindex=\"-1\"><img decoding=\"async\" src=\"https:\/\/www.micheleatchade.com\/wp-content\/uploads\/elementor\/thumbs\/1B-Black-Paris-2006-mjhn0yaytebyv90jkl22ip3c07a86ldrp3kl2fe0ao.jpg\" title=\"1B Black Paris 2006\" alt=\"1B Black Paris 2006\" loading=\"lazy\" \/><\/a><\/figure><div class=\"elementor-image-box-content\"><h2 class=\"elementor-image-box-title\"><a href=\"http:\/\/www.peter-hammer-verlag.de\/buchdetails\/black-paris\" target=\"_blank\">Auteure de \u00ab Histoires de l\u2019art de la diaspora africaine \u00e0 Paris \u00bb<\/a><\/h2><p class=\"elementor-image-box-description\">Article en langue allemande pour le catalogue de l\u2019exposition itin\u00e9rante <em>Paris Black<\/em>, Peter Hammer Verlag, Wupertal, Allemagne (Bayreuth, Francfort, Paris), dirig\u00e9e par Tobias Wendl, Bettina von Lintig &amp; Kerstin Pinther,2006-2007, 432 p.<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-be781c1\" data-id=\"be781c1\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-6b9ed99 elementor-position-top elementor-widget elementor-widget-image-box\" data-id=\"6b9ed99\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image-box.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-image-box-wrapper\"><figure class=\"elementor-image-box-img\"><a href=\"http:\/\/www.legymnase.biz\" target=\"_blank\" tabindex=\"-1\"><img decoding=\"async\" width=\"200\" height=\"126\" src=\"https:\/\/www.micheleatchade.com\/wp-content\/uploads\/gymnase.jpeg\" class=\"attachment-full size-full wp-image-1673\" alt=\"\" \/><\/a><\/figure><div class=\"elementor-image-box-content\"><h2 class=\"elementor-image-box-title\"><a href=\"http:\/\/www.legymnase.biz\" target=\"_blank\">Article : \u00ab Le Gymnase de Jo\u00ebl Auxenfans, le recyclage du regard \u00bb<\/a><\/h2><p class=\"elementor-image-box-description\">Dans le cadre de la Nuit blanche, Slick art Fair, octobre 2007 , extrait sur le site de l\u2019artiste<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-6a29014 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"6a29014\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-6b8eb94\" data-id=\"6b8eb94\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-eb00cc8 elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"eb00cc8\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-93630ee elementor-widget elementor-widget-text-editor\" data-id=\"93630ee\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h2>Directrice et r\u00e9dactrice en chef d\u2018<a href=\"http:\/\/etrecontemporain.org\/encrages\/\" target=\"_blank\" rel=\"noopener\"><em>Encrages, cahiers d\u2019art et d\u2019esth\u00e9tique<\/em><\/a><\/h2>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-243874c elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"243874c\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-wider\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-25 elementor-top-column elementor-element elementor-element-7e6be19\" data-id=\"7e6be19\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-88729ba elementor-position-top elementor-widget elementor-widget-image-box\" data-id=\"88729ba\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image-box.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-image-box-wrapper\"><figure class=\"elementor-image-box-img\"><a href=\"http:\/\/etrecontemporain.org\/encrages\/numero-4\/\" target=\"_blank\" tabindex=\"-1\"><img decoding=\"async\" src=\"https:\/\/www.micheleatchade.com\/wp-content\/uploads\/elementor\/thumbs\/A4-Le-phe\u0301nome\u0300ne-contemporain-ECAE-mjhn16riiwnjrqo976ppn4yhco4j3vbcq9fydx1gqo.jpg\" title=\"A4 Le phe\u0301nome\u0300ne contemporain ECAE\" alt=\"A4 Le phe\u0301nome\u0300ne contemporain ECAE\" loading=\"lazy\" \/><\/a><\/figure><div class=\"elementor-image-box-content\"><h2 class=\"elementor-image-box-title\"><a href=\"http:\/\/etrecontemporain.org\/encrages\/numero-4\/\" target=\"_blank\"><em>Le ph\u00e9nom\u00e8ne contemporain<\/em>, <em>Encrages, cahier d\u2019arts et d\u2019esth\u00e9tique<\/em> N\u00b04, Paris, Publications de la Sorbonne<\/a><\/h2><p class=\"elementor-image-box-description\">Auteure des articles du dossier \"Le ph\u00e9nom\u00e8ne rose\" : \"Posture de Femme : Ana\",\"Delphine Ferr\u00e9, au go\u00fbt du jour\" et \"Anne Geoffroy, les habitats du corps\".<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-25 elementor-top-column elementor-element elementor-element-b06de1e\" data-id=\"b06de1e\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-1c49fef elementor-position-top elementor-widget elementor-widget-image-box\" data-id=\"1c49fef\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image-box.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-image-box-wrapper\"><figure class=\"elementor-image-box-img\"><a href=\"http:\/\/etrecontemporain.org\/encrages\/numero-3\/\" target=\"_blank\" tabindex=\"-1\"><img decoding=\"async\" src=\"https:\/\/www.micheleatchade.com\/wp-content\/uploads\/elementor\/thumbs\/A3-e\u0302tre-contemporain-ECAE-mjhn14vu58kz4iqzi5wgi5fk5wdsoh3w204zfd4934.jpg\" title=\"A3 e\u0302tre contemporain ? ECAE\" alt=\"A3 e\u0302tre contemporain ? ECAE\" loading=\"lazy\" \/><\/a><\/figure><div class=\"elementor-image-box-content\"><h2 class=\"elementor-image-box-title\"><a href=\"http:\/\/etrecontemporain.org\/encrages\/numero-3\/\" target=\"_blank\"><em>\u00eatre contemporain ?, Encrages, cahier d\u2019arts et d\u2019esth\u00e9tique<\/em> N\u00b03, Paris, L\u2019Harmattan<\/a><\/h2><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-25 elementor-top-column elementor-element elementor-element-bba21c5\" data-id=\"bba21c5\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-f7415d9 elementor-position-top elementor-widget elementor-widget-image-box\" data-id=\"f7415d9\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image-box.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-image-box-wrapper\"><figure class=\"elementor-image-box-img\"><a href=\"http:\/\/etrecontemporain.org\/encrages\/numero-2\/\" target=\"_blank\" tabindex=\"-1\"><img decoding=\"async\" src=\"https:\/\/www.micheleatchade.com\/wp-content\/uploads\/elementor\/thumbs\/A2-Le-corps-est-il-toujours-a\u0300-la-mode-ECAE-mjhn1305rkiehatpt537d5wmz4n292wfdqu0gt71fk.jpg\" title=\"A2 Le corps est-il toujours a\u0300 la mode ECAE\" alt=\"A2 Le corps est-il toujours a\u0300 la mode ECAE\" loading=\"lazy\" \/><\/a><\/figure><div class=\"elementor-image-box-content\"><h2 class=\"elementor-image-box-title\"><a href=\"http:\/\/etrecontemporain.org\/encrages\/numero-2\/\" target=\"_blank\"><em>Le corps est-il toujours \u00e0 la mode ?<\/em>,<em> Encrages, cahier d\u2019arts et d\u2019esth\u00e9tique<\/em> N\u00b02 Paris, L\u2019Harmattan<\/a><\/h2><p class=\"elementor-image-box-description\">Auteure de la seconde partie de l\u2019Entretien avec Henri Meschonnic, \u00ab Jud\u00e9it\u00e9\/Germanit\u00e9 \u00bb.<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-25 elementor-top-column elementor-element elementor-element-dd2d13e\" data-id=\"dd2d13e\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-e038bb0 elementor-position-top elementor-widget elementor-widget-image-box\" data-id=\"e038bb0\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image-box.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-image-box-wrapper\"><figure class=\"elementor-image-box-img\"><a href=\"http:\/\/etrecontemporain.org\/encrages\/numero-1\/\" target=\"_blank\" tabindex=\"-1\"><img decoding=\"async\" src=\"https:\/\/www.micheleatchade.com\/wp-content\/uploads\/elementor\/thumbs\/A1-Entre-le-corps-et-le\u0301crit-ECAE-mjhn114hdwftu2wg449y86dpscwbtooyphj1i99ts0.jpg\" title=\"A1 Entre le corps et l&rsquo;e\u0301crit ECAE\" alt=\"A1 Entre le corps et l&#039;e\u0301crit ECAE\" loading=\"lazy\" \/><\/a><\/figure><div class=\"elementor-image-box-content\"><h2 class=\"elementor-image-box-title\"><a href=\"http:\/\/etrecontemporain.org\/encrages\/numero-1\/\" target=\"_blank\"><em>Entre le corps et l\u2019\u00e9crit<\/em>,<em> Encrages, cahier d\u2019arts et d\u2019esth\u00e9tique<\/em> N\u00b01 Paris, L\u2019Harmattan<\/a><\/h2><p class=\"elementor-image-box-description\">Auteure de la premi\u00e8re partie de l\u2019entretien avec Henri Meschonnic, \u00ab Cette \u00ab chose \u00bb qui emp\u00eache de poser d\u2019autres questions \u00bb.<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-114bb83 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"114bb83\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-wider\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-b63f67a\" data-id=\"b63f67a\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-59986e3 elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"59986e3\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-ee15c69 elementor-widget elementor-widget-heading\" data-id=\"ee15c69\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Catalogues<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-e669937 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"e669937\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-wider\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-25 elementor-top-column elementor-element elementor-element-92ee77f\" data-id=\"92ee77f\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-b50d35d elementor-position-top elementor-widget elementor-widget-image-box\" data-id=\"b50d35d\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image-box.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-image-box-wrapper\"><figure class=\"elementor-image-box-img\"><img decoding=\"async\" src=\"https:\/\/www.micheleatchade.com\/wp-content\/uploads\/elementor\/thumbs\/B1-Le-regard-des-autres-2005-mjhn18n6wkpu6nxdq66qikkecin5wbj83s00bzp79c.jpg\" title=\"B1 Le regard des autres 2005\" alt=\"B1 Le regard des autres 2005\" loading=\"lazy\" \/><\/figure><div class=\"elementor-image-box-content\"><h2 class=\"elementor-image-box-title\">Catalogue de l\u2019exposition collective <em>Le regard des Autres<\/em>, 2005<\/h2><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-25 elementor-top-column elementor-element elementor-element-1d67271\" data-id=\"1d67271\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-2c98993 elementor-position-top elementor-widget elementor-widget-image-box\" data-id=\"2c98993\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image-box.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-image-box-wrapper\"><figure class=\"elementor-image-box-img\"><img decoding=\"async\" src=\"https:\/\/www.micheleatchade.com\/wp-content\/uploads\/elementor\/thumbs\/B2-Corps-en-jeu-2004-mjhn1cejnwuzh3rx47t8sjm8q24mr3y5galy93jmkg.jpg\" title=\"B2 Corps en jeu 2004\" alt=\"B2 Corps en jeu 2004\" loading=\"lazy\" \/><\/figure><div class=\"elementor-image-box-content\"><h2 class=\"elementor-image-box-title\">Catalogue de l\u2019exposition collective<em> Corps en jeu,<\/em> L\u2019art chemin faisant, Pont-Scorff, Bretagne, 2004<\/h2><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-25 elementor-top-column elementor-element elementor-element-3fe2a15\" data-id=\"3fe2a15\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-b3152d7 elementor-position-top elementor-widget elementor-widget-image-box\" data-id=\"b3152d7\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image-box.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-image-box-wrapper\"><figure class=\"elementor-image-box-img\"><img decoding=\"async\" src=\"https:\/\/www.micheleatchade.com\/wp-content\/uploads\/elementor\/thumbs\/B4-La-sagesse-2002-1-mjhn22q0z9v0i6pouj6sqcz5cuiwqmumvwvjouglq8.jpg\" title=\"B4 La sagesse 2002 1\" alt=\"B4 La sagesse 2002 1\" loading=\"lazy\" \/><\/figure><div class=\"elementor-image-box-content\"><h2 class=\"elementor-image-box-title\">Catalogue de l\u2019exposition<em> La Sagesse<\/em>, 2002<\/h2><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-25 elementor-top-column elementor-element elementor-element-a049ca2\" data-id=\"a049ca2\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-c7c5cff elementor-position-top elementor-widget elementor-widget-image-box\" data-id=\"c7c5cff\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image-box.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-image-box-wrapper\"><figure class=\"elementor-image-box-img\"><img decoding=\"async\" src=\"https:\/\/www.micheleatchade.com\/wp-content\/uploads\/elementor\/thumbs\/B3-Images-of-Dharma-2002-1-mjhn1sdsw3guyh4piwpwgxl2tlxvdypl6hp7esvxmo.jpg\" title=\"B3 Images of Dharma  2002 1\" alt=\"B3 Images of Dharma  2002 1\" loading=\"lazy\" \/><\/figure><div class=\"elementor-image-box-content\"><h2 class=\"elementor-image-box-title\">Catalogue de l\u2019exposition<em> Images of Dharma<\/em>, 2002<\/h2><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>Remat\u00e9rialiser l\u2019art contemporain&nbsp;\u00bb : entretien Marianne Lanav\u00e8re : \u00ab\u00a0Mati\u00e8res \u00e0 paysage \u2013 Champs d\u2019imaginaires\u00a0\u00bb, \u00abMarges\u00bb n\u00b018, Presses Universitaires de Vincennes, printemps\/\u00e9t\u00e9 2014 Auteure de \u00ab Histoires de l\u2019art de la diaspora africaine \u00e0 Paris \u00bb Article en langue allemande pour le catalogue de l\u2019exposition itin\u00e9rante Paris Black, Peter Hammer Verlag, Wupertal, Allemagne (Bayreuth, Francfort, Paris), [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-95","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Publications - Mich\u00e8le Atchad\u00e9, artiste<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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